REFERENCES
Foster, S. C. “Picasso’s Sculputre of 1907-8: Some Remarks on Its Relation to Earlier and Later Work.” Art Journal, vol. 38, no. 4, June 1979, pp. 267–272. EBSCOhost, doi:10.2307/776377
Gopnik, Adam. “High and Low: Caricature, Primitivism, and the Cubist Portrait.” Art Journal, vol. 43, no. 4, Dec. 1983, pp. 371–376. EBSCOhost, doi:10.2307/776736.
Hustvedt, Siri. “A Woman Looking at Men Looking At Women.” Salmagundi, no. 182/183,
Spring/Summer2015 2014, p. 15. EBSCOhost, ezproxy.augusta.edu/login?url=http://
search.ebscohost.com/login.aspx?direct=tre&db=edb&AN=110598507&site=eds-live&scope=site.
Kalb, Claudia. “INTENSE PROVOCATIVE DISTURBING CAPTIVATING GENIUS PICASSO. (Cover Story).” National Geographic, May 2018, p. 98. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=mih&AN=128757711&site=eds-live&scope=site.
McConnell, Molli. “Picasso.Mania: Pablo Picasso's Tremendous Influence On The Art World.” Culture Trip, 26 Nov. 2015, theculturetrip.com/europe/france/articles/picasso-mania-pablo-picassos-tremendous-influence-on-the-art-world/.
MIKOS, director. Pablo Picasso - Masters of the Modern Era. YouTube, YouTube, 6 Oct. 2012, www.youtube.com/watch?v=ANqi-LuH5j8.
Matisse, Henri. “Pablo Picasso and His Paintings.” Pablo Picasso, www.pablopicasso.org/.
Plaza, Beatriz, Silke N. Haarich, and Courtney M. Waldron. “Picasso’s Guernica: The Strength of an Art Brand in Destination e-Branding.” International Journal of Arts Management 15, no. 3 (Spring 2013): 53–64. http://ezproxy.augusta.edu/login?url=http://search. ebscohost.com/login.aspx?direct=true&db=bth&AN=88777710&site=eds-live&scope=site.
Richman-Abdou, Kelly. “The Evolution of Picasso's Painting Style and What Each Artistic Choice Represents.” My Modern Met, 1 Feb. 2018, mymodernmet.com/pablo-picasso-periods/.
Rubin, William Stanley. “From Narrative to Iconic in Picasso; the Buried Allegory in Bread and Fruitdish on a Table and the Rule of Les Demoiselles d’Avignon {with Appendices}.” Art Bulletin, vol. 65, Dec. 1983, pp. 615–649. EBSCOhost, ezproxy.augusta.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=air&AN=513718852&site=ehost-live&scope=site.
Stamkou, Eftychia, et al. “The Art of Influence: When and Why Deviant Artists Gain Impact.” Journal of Personality and Social Psychology, vol. 115, no. 2, Aug. 2018, pp. 276–303. EBSCOhost, doi:10.1037/pspi0000131.supp (Supplemental).
Stillman, Steel. “In the Studio: Mark Van Yetter.” Art in America, vol. 106, no. 5, May 2018, pp. 94–101. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=fth&AN=129020127&site=eds-live&scope=site.
Tucker, Paul Hayes. “Picasso, Photography, and the Development of Cubism.” Art Bulletin, vol. 64, June 1982, pp. 288–299. EBSCOhost, doi:10.2307/3050221.
“Abstract Art: A General Guide Definition, Types, History, Characteristics.” Abstract Art: Definition, History, Types, Characteristics, 2019, www.visual-arts-cork.com/abstract-art.htm.
“Captain Pablo’s Voyages; with Notes on Some of His Contemporaries.” Time, vol. 55, Mar. 1950, pp. 50–58. EBSCOhost, ezproxy.augusta.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=air&AN=514012863&site=ehost-live&scope=site.
“The Form-Giver.” Art in America, vol. 103, no. 8, Sept. 2015, pp. 85–94. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=fth&AN=109948734&site=eds-live&scope=site
“What Is Abstract Art? - Definition, Techniques, Types & Paintings.” Study.com, Study.com, 2019,study.com/academy/lesson/what-is-abstract-art-definition-techniques-types-paintings.html.
“What Is Art Good For? Episode 9.” Films Media Group, 2018, fod.infobase.com/PortalPlaylists .aspx?wID=114463&xtid=166861. Accessed 17 Apr. 2019.
Gopnik, Adam. “High and Low: Caricature, Primitivism, and the Cubist Portrait.” Art Journal, vol. 43, no. 4, Dec. 1983, pp. 371–376. EBSCOhost, doi:10.2307/776736.
Hustvedt, Siri. “A Woman Looking at Men Looking At Women.” Salmagundi, no. 182/183,
Spring/Summer2015 2014, p. 15. EBSCOhost, ezproxy.augusta.edu/login?url=http://
search.ebscohost.com/login.aspx?direct=tre&db=edb&AN=110598507&site=eds-live&scope=site.
Kalb, Claudia. “INTENSE PROVOCATIVE DISTURBING CAPTIVATING GENIUS PICASSO. (Cover Story).” National Geographic, May 2018, p. 98. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=mih&AN=128757711&site=eds-live&scope=site.
McConnell, Molli. “Picasso.Mania: Pablo Picasso's Tremendous Influence On The Art World.” Culture Trip, 26 Nov. 2015, theculturetrip.com/europe/france/articles/picasso-mania-pablo-picassos-tremendous-influence-on-the-art-world/.
MIKOS, director. Pablo Picasso - Masters of the Modern Era. YouTube, YouTube, 6 Oct. 2012, www.youtube.com/watch?v=ANqi-LuH5j8.
Matisse, Henri. “Pablo Picasso and His Paintings.” Pablo Picasso, www.pablopicasso.org/.
Plaza, Beatriz, Silke N. Haarich, and Courtney M. Waldron. “Picasso’s Guernica: The Strength of an Art Brand in Destination e-Branding.” International Journal of Arts Management 15, no. 3 (Spring 2013): 53–64. http://ezproxy.augusta.edu/login?url=http://search. ebscohost.com/login.aspx?direct=true&db=bth&AN=88777710&site=eds-live&scope=site.
Richman-Abdou, Kelly. “The Evolution of Picasso's Painting Style and What Each Artistic Choice Represents.” My Modern Met, 1 Feb. 2018, mymodernmet.com/pablo-picasso-periods/.
Rubin, William Stanley. “From Narrative to Iconic in Picasso; the Buried Allegory in Bread and Fruitdish on a Table and the Rule of Les Demoiselles d’Avignon {with Appendices}.” Art Bulletin, vol. 65, Dec. 1983, pp. 615–649. EBSCOhost, ezproxy.augusta.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=air&AN=513718852&site=ehost-live&scope=site.
Stamkou, Eftychia, et al. “The Art of Influence: When and Why Deviant Artists Gain Impact.” Journal of Personality and Social Psychology, vol. 115, no. 2, Aug. 2018, pp. 276–303. EBSCOhost, doi:10.1037/pspi0000131.supp (Supplemental).
Stillman, Steel. “In the Studio: Mark Van Yetter.” Art in America, vol. 106, no. 5, May 2018, pp. 94–101. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=fth&AN=129020127&site=eds-live&scope=site.
Tucker, Paul Hayes. “Picasso, Photography, and the Development of Cubism.” Art Bulletin, vol. 64, June 1982, pp. 288–299. EBSCOhost, doi:10.2307/3050221.
“Abstract Art: A General Guide Definition, Types, History, Characteristics.” Abstract Art: Definition, History, Types, Characteristics, 2019, www.visual-arts-cork.com/abstract-art.htm.
“Captain Pablo’s Voyages; with Notes on Some of His Contemporaries.” Time, vol. 55, Mar. 1950, pp. 50–58. EBSCOhost, ezproxy.augusta.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=air&AN=514012863&site=ehost-live&scope=site.
“The Form-Giver.” Art in America, vol. 103, no. 8, Sept. 2015, pp. 85–94. EBSCOhost, ezproxy.augusta.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=fth&AN=109948734&site=eds-live&scope=site
“What Is Abstract Art? - Definition, Techniques, Types & Paintings.” Study.com, Study.com, 2019,study.com/academy/lesson/what-is-abstract-art-definition-techniques-types-paintings.html.
“What Is Art Good For? Episode 9.” Films Media Group, 2018, fod.infobase.com/PortalPlaylists .aspx?wID=114463&xtid=166861. Accessed 17 Apr. 2019.